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Nothing but static

In Communicate, Journalism, Published journalism, Television on November 22, 2010 at 11:08 pm

Mohamed Alayyan invested millions into ATV, Jordan’s first private TV station. Why, after years of delay, was it shut down on the very day of its planned launch?

Originally published in Communicate, October 2007

It was supposed to be a signal of the long-awaited liberalization of media in Jordan. But ATV isn’t broadcasting any Ramadan specials this year. In fact, as this magazine went to press two years after the station’s planned debut, ATV still hadn’t broadcast anything.

Jordan’s long-awaited first private TV station, ATV will miss regional broadcasting’s most profitable month due to a government shutdown on the day it was due to launch, sparked by wrangling over licensing, paperwork and debt.

Now Amman’s media scene is awash with rumors and speculation over the reasons for the delay and the fate of a station that was originally supposed to launch in late 2005.

The station’s frustrated owner, Mohamed Alayyan, says his losses are hurting him and he is ready to sell. “I cannot take this any more, this damage,” says Alayyan, a 33-year-old entrepreneur who broke ground by publishing Jordan’s first private daily, Al Ghad. “I am bleeding badly.”

EXCUSES, EXCUSES
Although he says rumors about the government buying ATV are unfounded, Alayyan says, “If I have a good buyer at a good price I will sell it definitely. … Right now several big investors have contacted me – I’d rather keep their names till the deal is done – and hopefully they will be able to launch it.”

Mohanned Khatib, managing director of ATV, is a former anchorman at Al Arabiya who was hired by Alayyan to head up the new station. After telling Communicate in 2006 that the station was expecting to launch “sometime around the end of the year” – last year, that is – Khatib says he is now dealing with bureaucrats who offer nothing but “excuses” when it comes to the station’s aborted launch.

“It was supposed to officially launch on Aug. 1,” says Khatib. “However, we were delayed by the Audio-Visual Commission [AVC], which regulates all TV and radio stations in Jordan. And we received several letters from them. Some excuses – I would say invalid excuses – but we have to abide by the rules.”

Speaking of the two-year delay, Khatib says, “Most of it started with the technical issues – licensing and frequencies and all that. But then it developed further, going into our content and other things,” adding that the regulator has begun demanding paperwork ATV had already submitted “several times.”

It’s enough to make one suspect that politics, and an official antipathy toward private broadcasters, are behind the delay. Alayyan refuses to be drawn into speculation about a political motive, but says the station’s novelty plays a part.

“I think [the problems] are because we are new, and this has never happened before,” he says. “But this is a huge step backwards for independent media.”

MONEY OWED
Hussain Banihani, general director of the government’s AVC, tells Communicate the regulator is blocking the satellite broadcast due to Alayyan’s unpaid debts.

ATV owes money to state-owned Jordan TV according to a deal whereby the new station was to take over frequencies and infrastructure for its terrestrial broadcast, and to another government body, the Telecommunications Regulatory Commission (TRC), for the right to use those terrestrial frequencies. Yet the ATV terrestrial broadcast never got off the ground due to various technical issues.

“They have money to pay to Jordan TV and to the TRC here in Jordan for the frequencies and so on,” says Banihani. “Let them pay the money and they will be on air right now.”

Alayyan admits he has yet to hand over the money, which amounts to 3.5 million Jordanian dinars ($4.9 million), but says this should not be the concern of the AVC, which is supposed to regulate only the satellite broadcast. “Just because [the AVC] is the government doesn’t mean they have the right to collect [the money],” says Alayyan. “That’s a different contract. We are not disputing the issue of the terrestrial. There’re lots of technical issues with regard to the terrestrial that need ironing out.”
“We signed the contract with Jordan TV but never took the service,” he adds. “We never aired anything [and] they never took down their channel for us to use, and yet they started counting on us for money.”

In fact, Alayyan claims Jordan TV never paid for those terrestrial frequencies either, and he is hesitant about paying up in case ATV gets lumbered with Jordan TV’s existing debt. “When you buy a car, you don’t want to buy one with any debts, do you?” he asks.

MONEY THROWN AWAY
One thing is certain: ATV won’t be seeing much return on its investment in programming for Ramadan this year. For the peak season, Khatib says the station had invested around 2.5 million Jordanian dinars ($3.5 million) in content.

The absence from the airwaves during Ramadan has cost the company dearly. “We had prepared a very expensive grid especially for Ramadan. … The premiums for Ramadan are very high, and you can buy this stuff for maybe a quarter of the price after Ramadan. It was a major disaster for us,” says Khatib.

As well as looking forward to a new avenue for advertisers during the holy month, media buyers were anticipating the new lease of life ATV would give to Jordan’s stagnant television scene.

Media planners have long said a private local TV station would fill an important gap in the country’s media market, especially for local advertisers keen to reach a Jordanian audience without having to resort to pricey pan-Arab satellite broadcasters or print media.

“We were all eagerly waiting for ATV,” says Jöelle Jammal, managing director of ad agency Promoseven Jordan. “It will push Jordan TV to make some changes and some refurbishment to the whole operation,” she says, adding ATV’s proposed grid was a big change from the dominant state-owned broadcaster’s more staid slate of programs.

What could have been a breath of fresh air has brought an odor of disappointment to the noses of Jordan’s media. “I think the whole thing is unfortunate,” Khatib says. “I think it’s confusing to some, and I think it reflects badly on our country.”

On the record

In Communicate, Dubai, Marketing, Published journalism on November 22, 2010 at 11:06 pm

It pays to be superlative as Guinness World Records prepares to publish the second edition of its trivia trove book in Arabic. Can brands cash in?

Originally published in Communicate, October 2007

The region in general, and the UAE in particular, claims a lot – the world’s tallest building, the fanciest hotel, the largest man-made marina, the biggest inflatable bottle. So it is perhaps surprising that of the 48,000 official records set since 1954, only around 120 belong to the Middle East and North Africa.

Now companies in the region are working with Guinness World Records to give themselves something to shout about. It seems being No. 1 is good business, whether a brand has sponsored more football teams than any other or unwrapped the biggest box of chocolates.

“Arab people are proud people,” says Myriam Hoballah, regional project director for Guinness World Records. “And I believe they are the right people to enhance Guinness’s brand. Why? Because they are so positive about these ideas. They like the fun part and the showing off.”

MANY CLAIMS
Al Waseet International, a Kuwaiti company best known for its weekly free classifieds publication, represents Guinness World Records in the region and is ready to help companies looking for a record to break.

The company also plans to launch the 2008 Arabic version of the Guinness World Records book at the end of this month in Abu Dhabi, the world’s richest city.

Many of the claims made by Dubai businesses of being the biggest, the best and the first are never validated. “Most of [the region’s claimed records], I am sure, are not listed as Guinness World Records,” says Hoballah. “This makes a big difference. Guinness World Records is the records institution to validate a record that you set. If you don’t go through Guinness World Records guidelines and are not certified as a Guinness World Record holder, it is not a record.”

She explains how the relationship with marketers often works. “A lot of companies have understood the importance of breaking records,” says Hoballah. “For example, I might have a company that wants to do something for a new product launch in order to grab more attention in the market, and they want to link into breaking a record. Or when a company wants to rebrand, again it makes sense.”

AMBITIOUS SPIRIT
Al Waseet advises companies free of charge on which records can most easily be broken, and it can lobby for a company to appear in the book, provided it actually breaks a record or sets a new one deemed worthy of inclusion by the book’s editors in London. Customers can also order special branded editions of the tome, which can be printed – with a special cover and dedicated pages – before the next public edition is even out.

The company charges fees for organizing branded events based around record-breaking feats. Further income comes from book sales, merchandise and the special editions (though no companies from the Middle East have ordered any of those yet).

In a region with an ambitious spirit, the most mundane record can draw admiration and emulation. Gargash Enterprises, a UAE-based car dealership, for example, set a record for the largest procession of Mercedes-Benz cars in April, when the owners of 153 C-Class Mercs turned out for a parade around Dubai.

Now Mercedes in Syria are interested, says Hoballah. “They heard about what they did [in the UAE] and they might go for it. So it might become a competition.”
Another one in competition is the world record for creating the biggest football. In November, Doha Bank took the prize with a diameter of 9.07 meters.

But, when they took their eye off the ball, telecom company MTN Sudan overtook them, showing off a 10.5 meter inflatable on August 26.

Regional records: a marketing tool?

World’s largest box of chocolate bars: A giant carton of Kit Kats weighed in at 1,700 kilograms during Dubai Summer Surprises 2005.

World’s tallest unsupported flagpole: 126.8 meters, in Amman.

World’s most expensive phone number: The identity of the Qatari bidder who paid $2.75 million at a charity auction in May 2006 was kept secret, but he can presumably be contacted at +974-666-6666.

World’s largest same name gathering: 1,096 Mohammeds gathered in a Dubai park, also during Summer Surprises 2005.

World’s largest kite: 25.47 by 40 meters, flown by Abdul Rahman and Faris Al Farsi in Kuwait.

A patient pioneer

In Advertising, Communicate, Dubai, Profile, Published journalism on November 22, 2010 at 10:59 pm

TBWA/Raad boss Ramzi Raad relishes the road less traveled. He talks to Communicate about potholes and partnerships

Originally published in Communicate, September 2007

Ramzi Raad is set on uncovering new paths. In his youth he hiked all over Lebanon, discovering caves and trails, taking Boy Scouts to interview villagers about their superstitions, and exploring and documenting the countryside. Now the CEO of TBWA/Raad sees the agency he founded as a chance to break the rules and cover uncharted ground in advertising.

When he founded the Lebanese Potholing Club, Raad would delve into the caves of his native country, marking them so that others could follow and share his discoveries.

“I was with an old friend recently,” he says, “remembering when we ran short of carbide for our lamps. We had gone in and slept inside a cave system, and it was on the third day we ran short of carbide, so we had to rush back.

“You know, as you’re going in, you’re discovering. So your path is very slow. You have to mark all the time, and you have to remember where you are marking. And if you get into a hole with many entrances, you have to make sure you mark the one you came in through. Luckily the way out is much faster, because it’s all marked.”

Professionally, too, Raad has come through situations where time and options were limited. When he was executive vice-president of Intermarkets in Dubai, he initially worked with numerous international agencies before Intermarkets joined forces with Saatchi & Saatchi in 1982. By the time Saatchi decided to set up alone in the region in 1986, the only agency left for Intermarkets to affiliate with was TBWA.

Although his choices were limited, Raad is keen to emphasize that Intermarkets’ ties to TBWA were not a last-ditch attempt at international respectability. “When my colleagues started asking, ‘Why did you pick TBWA?’ I told them it was partly because I was forced into a situation, but more importantly it was because TBWA represents where I would like to be, because of a number of factors.

“It’s a truly multinational agency where you can grow, and you’re not worried that you cannot become more than a senior person in the Middle East because there’s a hierarchy of Americans or French or Brits on top who have been there for a longer period.”

STARTING AGAIN
In 1991, TBWA ended the affiliation with Intermarkets. Raad left the agency later that year. He eventually reestablished the relationship, launching TBWA/Raad in 1999.

“I was fifty-something years of age,” he says. “And people said, ‘Ramzi Raad has become cuckoo, he is losing it, he is starting again. Who has the passion to do that?’”

For an agency run by a suspected madman, TBWA/Raad hasn’t done badly. Today, its roster includes Etihad Airways, CNN, Standard Chartered Bank and Nissan, and it was shortlisted at Cannes this year for its “Tears in Lebanon” campaign for the Trillion for Lebanon charity.

Raad is immensely proud of his agency. His work, he proclaims, is about “the young agency, not the old man.” Youth and innovation are words that continually crop up when he discusses his agency and its work.

When Raad launched TBWA, he says, he took on board their motto of the time: “Change the rules.” He says you can see how his agency is different by looking at the accessibility of its management.

ALL FOR ONE
“We are a small group of people,” Raad says. “We’ve built an agency with no walls. This is how we started, because each one of us is part of this bigger team and we are all going to work for you and you’re going to see us. My promise is that no matter how much we grow, you will continue to see us.”

Perhaps Raad’s preference for an open-door, all-involved team atmosphere stems from his introduction to the industry. While he was studying Arabic literature at the American University of Beirut, Raad took up a part-time job as an account manager at the Publicite Universelle agency. When he graduated, he joined full-time. “I did it all,” he says. “I was the account handler; I was the idea generator, working with the creative people. I was even the photographer. I still keep my portfolio. I’m so proud of the work.”

One of Raad’s employees describes him as “a kind and patient man,” although Raad admits this might be changing. “I’ve started losing my temper more,” he admits. “Because of age. But I have always been accommodating, teaching people who make mistakes rather than punishing them. And forgiving them too. Because my great belief is that in every human there is a good side and a bad side, and a good manager is the manager who takes the good side in every individual, polarizes it and makes it bigger. That’s what I’ve always done.”

Raad may believe in leading the way, but he likes to take the path less traveled. When Communicate asks what his failures have been, he answers, “We could have grown bigger, much bigger.” A man of measured speech, he weighs each word carefully. “We should have sobered up to the reality that good work alone will not win you the business every time. I will say, to be polite, that we underplayed the personal [relationships] aspect. But in all honesty, I did it consciously.”

One day, Raad intends to return to his home country. “I am from central Lebanon, from the mountains. We have a very nice family house there, which is like a fortress. It’s totally wrecked, though, and my dream is of starting work on it and repairing it.”

However, as TBWA/Raad outgrows its offices – there are plans to move into larger premises in Downtown Dubai – and wins such coveted pitches as MTV Arabia, Raad’s retirement seems a long way off.

Training day

In Communicate, Dubai, Journalism, Published journalism, Television on November 22, 2010 at 10:57 pm

As the region comes under more scrutiny from the world’s business media, specialists are coaching executives on facing the press

Originally published in Communicate, September 2007

Picture this: You’re the CEO of a large company and disaster strikes. Your business is in flames (perhaps literally), your stock is in freefall and the media is baying for blood – probably your blood.

You need someone who’s good in a crisis, who can single-handedly face the microphone-wielding jackals and save the day. The person you send out there needs to be a superhero of PR, the Jack Bauer of media managers. Alas, in many cases it’s you.

You’ve prepared for this moment. You’ve been trained as a press-pacifying ninja by catastrophe coaches and pandemonium professionals. You have, haven’t you?

Companies in the region are increasingly turning to media trainers to bring their executives up to scratch on how to handle the press both in times of crisis and during “peacetime.” With the eyes of the world on the Middle East – and when it comes to business news, Dubai especially – executives are more anxious about being ready to face the cameras.

Take the case of a March runway accident at Dubai International airport, in which passengers suffered minor injuries. “It made international news immediately,” says Caitlin West, managing consultant at UK-based crisis management specialist Regester Larkin, which recently opened an office in Dubai. Unexpected situations like this are precisely why companies need to be training their spokespeople.

YOU’RE BEING WATCHED
Media trainers come from a variety of different backgrounds. All promise to teach executives to better carry their companies’ key messages through good times and bad, and all agree that increased scrutiny on the region is good for business.

The backdrop for much of this uptick in demand for media training is last year’s Dubai Ports World debacle, according to Eithne Treanor, founder of Etreanor media consultancy. Like Regester Larkin, Etreanor recently set up shop in Dubai. “Some people I have talked to were amazed at the reaction in the US when all that happened, the fact that there were protests. … I think that’s why the people here are demanding media training,” Treanor says.

Although keeping one’s brand in the public eye is important, it’s the need to prepare for worst-case scenarios that drives many companies to seek external coaching.

Regester Larkin specializes in “issues and crisis management,” according to managing director Mike Regester. “If you wanted us to launch a new brand of butter in the Middle East, we wouldn’t do it,” he says. “We don’t do that stuff and other consultancies would be able to offer that. We’re absolutely focused on what we do.”

Chris Kinsville-Heyne, managing director of C3I Strategic Solutions, worked for the media wing of the British military before he went into media training. “I was primarily involved in getting the troops ready to face the media for Bosnia, the first Gulf War, Kosovo, East Timor, and the principle is exactly the same: you look at your key messages, you understand those, you understand how you can bridge from whatever question it is the media asks you to one of your key messages. The principle remains the same.”

This principle centers on anticipating rather than reacting to problems and turning questions to one’s advantage rather than trying to dodge awkward probes.

“I have a principle that is left over from Sandhurst [military academy],” says Kinsville-Heyne. “Train hard, fight easy. I train people for the hardest thing they can do, and in my experience that’s a live business breakfast interview. That’s the hardest thing you’re going to do. If you’re doing a print interview, it’s going to be easy in comparison.”

THE SOUND OF SILENCE
When the tough questions come, Kinsville-Heyne says “no comment” is not an option. “I’ve always maintained it with all my students,” he says. “If you ever turn round and say, ‘No comment,’ you might as well say, ‘Guess what, I’m ignorant – and stupid, too, because I’m missing an opportunity.’ You miss an opportunity to be able to engage in dialogue.”

Treanor says executives are often reluctant to admit they’ve gone through media training. “Media training in the corporate world is like going to your psychiatrist. You are a bit ashamed to say you have been to see him.”

Not Niall McLoughlin, regional head of corporate affairs at Standard Chartered Bank, who speaks openly about using media training. “Nowadays the potential for making an error, the potential for screwing up, is great,” he says. “If you’re better prepared to manage your reputation through effective communication rather than just shooting from the hip, then when you’re in a listed company it’s your responsibility to do that.” The bank uses Regester Larkin.

“People in this region still go on the defensive when they have no reason to go on the defensive,” says Treanor. “People are now realizing they need to be on the map. There is a bit of humility about people within publicly listed companies. They are beginning to realize that they have to get information to a lot more sources. But it is a big shift for the region.”

FOCUS POCUS
It’s important to go into an interview focused, says Standard Chartered’s McLoughlin. “In any one-on-one interview, you try to have your objectives of the interview, and the journalist has their objectives of the interview,” he says. “It’s trying to facilitate getting your messages across, what you want to deliver in the message. So you never go in there and let yourself be led. You try to articulate your messaging.”

The first eight seconds of the interview are crucial, says C3I’s Kinsville-Heyne. “People make up their minds about you very, very quickly. In three seconds people decide whether they like you or not; in five seconds they decide whether they trust you or not; in seven seconds they have decided whether you will lie to them or not. So essentially as a spokesperson you’ve got eight seconds. Being a good bloke and a good CEO doesn’t necessarily give you that skill.”

Choosing a media trainer can be tricky. Most PR companies offer coaching among their services, but Treanor, a former journalist, says those with a press background can do a better job, since they approach the issues from an outsider’s perspective.

Kinsville-Heyne takes the opposite approach. “I’m not a journalist and I always make sure I emphasize that. That’s probably one of my unique selling points. I’ve been a spokesman, I’ve sat in the chair that you’re going to sit in. I’ve done your job and I know exactly what it takes, how difficult it is to keep all those plates spinning.”

Whichever form of guidance you choose, there is one thing interview subjects should bear in mind, says Treanor: Journalists welcome people who are able to communicate well – but not too well. The trick is to be genuine, rather than slick. “There’s a danger that people can come across as too trained,” she says. “But that’s not what anyone in the media training business is trying to do. We’re not trying to show clients how not to deal with things or how to skirt around issues. We’re very much trying to show them how to engage, and by doing that, get their message across.”

So with the cameras aimed at you like snipers’ rifles, you might be calm, collected and ready for anything. You may think you really are the Jack Bauer of reputation management. But if you come across as a spin doctor, all that training could blow up in your face.

TIPS: You don’t say
Media trainers say there are simple rules to follow if you have to face the press. Make sure you don’t blow your 15 seconds of fame.

Prepare. Know the name of the journalist, the style of the program or publication, the interview format and the deadline. Know why the journalist wants the interview, and what angle the story will take.

Know your audience. Choose your words to suit it. Be valuable to the audience by stating your message clearly and with proof points.

Rehearse. Go over your key messages. Be enthusiastic about your company, service or product, but don’t try a blatant sales pitch.

Turn on your radar. Think of difficult questions and come up with responses ahead of time so you’re not caught off guard.

Don’t guess. If you don’t know the answer to a question, say so.

Don’t argue. But if the journalist makes factually incorrect statements, correct them.

For TV or radio, speak slowly and clearly. Don’t talk over people. Ignore background noise and distraction. On screen, don’t wear distracting clothes or jewelry, and keep your eyes steady.

The state we’re in

In Communicate, Dubai, Marketing, Published journalism on November 22, 2010 at 10:53 pm

Communicate takes the pulse of regional creativity at the International Design Forum

Originally published in Communicate, July 2007

Last month at Communicate we trimmed our goatees, donned our post-ironic retro T-shirts and big glasses and slung our man-bags over our shoulders to head to Dubai’s first International Design Forum and check out the state of creativity in the region.
The event was hosted by conference organizer Moutamarat, a joint venture between Tatweer and Saudi Research and Publishing Company.

While participants tossed around predictably unpredictable ideas, such as enigmatic Dutch product designer Marcel Wanders’s vases modeled by sneezing through a 3D scanner, much of the talk on the stage and on the sidelines was about the state of design and creativity in the region. And it wasn’t all favorable.

Sheikh Majed Al Sabah, the man behind Alef magazine and the ultra-trendy Villa Moda stores, bemoans the lack of visible talent in the Gulf. Much of this lies in the way designers are perceived, he says. “Not every Arab likes to be seen as a designer or an architect,” he tells Communicate, “because they think this job is not a macho job, is not a job that brings money.”

“There are a lot of graphic designers everywhere,” he says. “Mostly in the northern part of the Middle East, Lebanon, Jordan. You see a lot of talented people coming from that part of the world as graphic designers. Yet there are many more talented people in this part of the world. But because they come from the Gulf, many of them are shy to say they want to become graphic designers.”

Rodney Fitch, CEO of design company Fitch, says the forum highlighted that fact that most regional creativity is “architecture-driven.” Local press coverage of the forum, he says, “has nothing to speak of about all those other parts of design which are of such importance, whether it’s communication design, television design, film, fashion, interior or industrial. All it speaks of is the five tallest buildings in the world. I think that’s a great shame, and I think that’s a sign of a needed maturity in the market here.”

Timid new world
The most controversial speaker at the forum agreed that the Middle East’s design industry needs to grow up. Oliviero Toscani is the photographer behind United Colors of Benetton’s divisive ads, which have included a white baby suckling from a black woman’s breast and a Christ-like figure dying of AIDS in a hospital bed. His work, he says, has never been displayed in Dubai. “Everything is so tacky, golden, unlikeable,” he told the forum. “I have never been in a place so anti-design as this place.”

Speaking on the sidelines of the forum, he elaborates that the problems with design in the region stem from politics and passiveness. “No one’s got the courage to tell the truth,” he says. “No one’s got the courage to talk about politics and design, politics and architecture, politics and taste and politics and creativity. Nobody.”

In advertising, he says, “There is a monoculture that is going through everything. Everyone does the same thing. Everybody is trying to attract consensus, and looking for consensus attracts mediocrity. There is not enough personality, not enough courage.”

He says local architecture, in particular, is over-indulgent. “Nobody has the courage to say this is ridiculous. Las Vegas or Disneyland, even they’re not like this. … Creativity and taste are like salt or sugar. You have to be careful not to put too much or too little salt in what you cook. If you add too much salt, it doesn’t taste good. … So creativity is something to be put in the right dose. [Here] it is overdone. And I think being rich didn’t help.”

First steps
The cynicism lingering in the air was tempered by some of the idealism voiced on stage. When asked what changes he’d like to see in the region, one young local designer told his audience, “I had a vision of a street where I could walk and there would be people making frescoes and playing instruments. But there’s nothing like that here now.”

And the presence of design-heavy magazines such as Brown Book and newly-launched Desert Fish showed there is young creativity out there.

“Look at Alef,” says Al Sabah. “Look at Brown Book, look at Canvas. There are lots of improvements coming, you know: typography, graphics, layout, creativity. You look at the other titles and they are horrible. So there is a lot of improvement happening. At least it’s a start.”

And Fitch agrees regional creativity is now starting to move in the right direction. “Historically you’d have to look very hard to find a wide embrace for design here,” he says. “You’d be hard pushed to find good advertising, good copywriting, good packaging, good industrial design. It’s not hard to find any number of world-class buildings, but there aren’t those other manifestations of design. … I think joining those dots begins with a meeting of the minds like this forum. It begins to focus people’s minds and create priorities.”

“It’s an alarm,” says Al Sabah. “Just to make everyone wake up and say there should be a [regional] influence on design.”

“Want that one!”

In Advertising, Communicate, Dubai, Marketing, Published journalism on November 22, 2010 at 10:51 pm

When marketing to kids takes off in the Middle East, parents won’t hear the end of it

First published in Communicate, June 2007

Real kids are never as sweet as the ones in adverts. When they want something they can be nagging, pestering, whining brats until they get it. And savvy marketers know how to tap into this pester power to sell products to pre-teens. The more spoiled the kid, the better for the advertiser.

Gaurav Sinha, who owns Think, a UAE magazine marketed to teenagers, says that, as consumers, children are unique. “Which adult do you know,” he asks, “who would pester another person to make a purchase on their behalf the way kids do?”

Eric Schlosser and Charles Wilson, list seven types of pester in their 2006 book Chew on This: From the pleading pester, when kids repeat words like “please” and “Mom,” through the tantrums of the demonstrative pester, to the pity pester, where the child emphasizes how heartbroken and humiliated he will be without the purchase. Advertisers who know their audience know how to make kids nag until their parents crack.

Supermarkets, for example, have long cashed in on the manipulative efforts of children. The displays at checkouts usually have sweets and treats at children’s eye level, and within reach of tiny, grasping hands.

In a tacit acknowledgement of this, Spinneys supermarket recently introduced special check-out lines at some of its stores. “We’ve kept one aisle which is specifically for those parents who want to ensure their kids don’t end up picking up something inappropriate,” says a Spinneys spokesperson. “At point of sale it is mainly low value, impulse lines that are displayed. At this particular checkout there is more of the health range. There are some cereal bars, and mostly stuff that is not bad in a health-related way.”

In the Middle East overall, though, children are yet to be exploited with the ruthless efficiency shown in the West, claims Moneer Barakat, creative director at Memac Ogilvy. “Funnily enough, marketers here don’t play on pester power. Marketing to kids here is very limited. The use of pester power is still a bit naïve. And it’s not being used widely enough. If we are not using it enough, it will not be sophisticated.”

But the market is ripe for the picking, says Barakat. “Kids in this region, they grow up very spoiled,” he says. “Every whim and every wish is catered for. So the power they have over parents is amazing. It’s much more than when you compare it to the West, where there is a sense of discipline. There’s pester power too, of course, but there is a certain discipline. Here, the kid has a lot of power. The kid can command.”

NEIGHBORHOOD WATCH
And pester power does not just apply to products specifically for children. Take buying a television, says Sinha: “They will influence you from going with the cheapest one to maybe something which meets their values, that’s maybe the same as the one the guy next door has. It helps to maintain the whole ‘keeping up with the Joneses’ philosophy. They play an important role.”

Marketing to pre-teens is often frowned upon, though. In the UK, the Committee for Advertising Practice, the industry’s self-regulatory body, issued guidelines that ban the advertising of any food or drink to under-16s except fresh fruit and vegetables. This currently applies only to television, but will be extended to the Internet, newspapers, billboards and cinema on July 1.

The UAE, however, has no such restrictions. A statement from the GCC Advertisers Association says: “Currently, the GCCAA has not worked on enforcing global advertising standards with regards to advertising to children. Most of the big multinationals follow internal standards in line with industry guidelines. However, there is no collective effort at a regional level.”

Questions about marketing to children tend to raise an icy and defensive response, like the eventual reply from Kellogg’s to questions about their youth marketing strategies: “As a responsible company, Kellogg’s ensures that our messages to children will accurately portray our products in a way that is in keeping with their ability to understand our intent and using language that is appropriate for this audience.”

The reason for the mind-numbingly corporate response, says Moneer Barakat, is that when you use pester power, “somehow the tune of the campaign becomes a bit politically incorrect, because you’re using the kid to manipulate the situation.”

But there is a place for these strategies in the Gulf, he maintains. “The market is experimenting with new ways of putting across a message,” says Barakat. “Brands are becoming very brave, very lateral, very fresh in their thinking. So when an agency handling a brand focuses a full campaign on pester power, gets the kid to initiate the request for the brand, once everyone sees it works, everyone will follow.”

Until then, kids in ads will remain sickly sweet. And the real ones will continue to pester, whether they’ve been told to or not.